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ART COMMISSIONS

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2018

Spectrum Chamber, Museum of Old and New Art (MONA) Hobart, Tasmania

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2005

4 over 5 +72, Highlands University, Las Vegas, New Mexico

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2004

Conversations with the Sun, Meiji University, Tokyo, Japan

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2004

Spectrum 8, Smithsonian Institution, NMAI (National Museum of the American Indian), Washington DC

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2004

Solar Spectrum, Albuquerque Convention Center, Albuquerque, NM

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2001
Eighteen over Five, Eugene and Marion Kauffman Foundation, Kansas City, MO

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1999

Spectrum 12, Saitama University, Saitama, Japan

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1998

Solar Spectrum, US Federal Courthouse, Tampa, Florida

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1996

Dwan Light Sanctuary, United World College, Montezuma, NM; commissioned by Virgina Dwan

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1996

Pythagorus’ Rainbow, Cook Institute, Grand Rapids, MI

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1993

Year of Solar Burns, Chateau d’Oiron, Oiron, France; commissioned by the Ministry of Culture (3/20/92-3/20/93)

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1992

Solar Spectrum, Harvard Business School Chapel, Cambridge, MA

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1990

Latitude 41°, Central Naugatuck Higher Education Center, Waterbury, CT; Connecticut Commission on the Arts.

Tumbling 12, Alaska International Airport, Anchorage, AK; commission: Alaska Percent for Art.

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1987

Light Lines, San Francisco International Airport, San Francisco, CA

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1986

Light, Rock, Water, Wells Fargo Plaza, San Diego, CA

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1985

Light Gates, Linclay Corporation, Kansas City, MO

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1985

Lines of Light, Rays of Color, Plaza of the Americas, Dallas, TX

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1983

West Light, Towson State University, Towson, MD; commission: Maryland State Arts Council with N.E.A. support.

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1983

Rock Bow, Cumberland Station,  O’Hare Rapids, MI

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1982

Toward Seven, Grand Rapids Art Museum, Grand Rapids, MI

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1980

Spectrum Building, Denver CO

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1979

Dietrich Foundation, Philadelphia, PA

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1979

Prestonwood Town Center, Dallas TX

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1977

Two Prisms form the Origin of Color, University of Pennsylvania, Philadelphia, PA

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1976

GSA Art and Architecture Program, Federal Courthouse, Lincoln, NE

Solar Spectrum for Porat Yeshivat Joseph, Old City, Jerusalem, Israel. (Moshe Safdie, Architect).  Not Built.

 

 

© 2023 Charles Ross
 

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